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Nicole Ratjen

Nicole Ratjen started Improv at an early age at the Canadian Improv games and never stopped. As a performer and improvisor she has worked and toured on productions across Canada, throughout Europe and Australia. After completing her theatrical studies at York University in Toronto she trained at L’École Internationale de Théâtre Jacques Lecoq in Paris and Philippe Gaulier.

She is a company member the mask theatre company TheatreFragile. She is one of the idiots in the Bloody Bawdy Villains and can been seen performing regularly improvised theatre with Good Luck, Barbara, It’s That Time of the Month and ComedySportz Berlin and on screen as Rachel in the Webseries, Das Apartment.

Upcoming Courses & Workshops:

April 2019

Intro to Improv

Saturdays, April 6th - June 1st (8 Classes)
10:00 am - 12:30 pm
Please note, this class skips April 20, 2019
Comedy Café Berlin, Roseggerstr. 17
Berlin, 12059 Germany
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125€ – 150€ 2 tickets left
Intro to Improv

The perfect course for those who have never improvised before, or for folks with improv experience who would like to get a foundation in North American long form. Over 8 classes, we’ll teach you all you need to know to get solid footing in comedic improv. You’ll learn the basic skills every performer needs to get up on stage and make magic happen. We focus on making positive choices, smart scene work, group support and we explore the kernels of…

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May 2019

Acting for Improv

Saturdays, May 11th - June 1st (4 Classes)
1:00 pm - 3:30 pm
Comedy Café Berlin, Roseggerstr. 17
Berlin, 12059 Germany
+ Google Map
80€ – 100€ 16 tickets left
Acting for Improv

4You've got the improv chops, now it's time to build up your performance skills! This 4-week course will teach students the basics of theatrical acting - everything from being aware of sight lines and breathing technique to rich character work and playing with emotional honesty - and apply that to improvised scenes and characters. We will explore how to command the stage with focus and confidence, how to tap into our own experiences for powerful performances, how to engage with…

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